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Wednesday, 08 February 2006

  • My first decent death scene, I think. This is cause for celebration. Which, yes, sounds horrible and wicked, but such is the way of we authors. Neil is Tuesday's (elder) brother. I have no idea who "They" are just yet, or what happened "the previous night"--probably the usual leaping-from-roof-to-roof thing & all that.

    “This is the way the world ends
    This is the way the world ends
    This is the way the world ends
    Not with a bang but a whimper”

    - T.S. Eliot, “The Hollow Men”


    It was one of those days when nothing went right.

    The previous night had exhausted Ian so thoroughly that he slept through the ringing of the alarm and woke fifteen minutes late. There was a mad, reckless race to the subway, in which he thought he might have nearly hit someone or something more times than he cared to count, and an exasperating five-minute wait for an outbound train, since he’d missed his usual. He slept on the train, cradling his head in the crook of his arm against the filthy, mottled window. It was rare that he was tired enough to sleep through the bumping and rattling, or tired enough not to care what people though of him, with papers spilling out of his bag and circles cupping his eyes like bruises. He jerked himself awake every few moments to see that he hadn’t missed his stop. Finally, he forced his eyes open, propping his elbow at an uncomfortable angle against the cold plastic wall in the hopes that the soreness would keep him from drifting off again.

    Teaching was something he didn’t want to imagine.

    He didn’t remember much of it, anyway. His students were probably aware that there was something wrong with him—although, given the crowd, they’d likely be speculating as to what he’d been smoking the night before, not something more innocuous (though leaping over buildings in single bounds and the like was far from what he used to term “innocuous”). He thought that maybe this was what it was like, being hung-over, but he’d never experienced it.

    He stumbled through the lessons, thinking all the while, If this was any other country, they’d fire me straightaway. And when the long day ended, he stumbled out of them and found his way back to the subway station, and the train, where he slept again, curling against his book bag. He felt as if he might never sleep enough. Later, he supposed he oughtn’t to have been driving. It had begun to rain, drearily, and he pulled into his driveway as the sky let loose a veritable torrent. He thought he’d like to sleep all day. Maybe he’d ring Tuesday in the evening to see how she was holding up; it would be nice to hear her voice. It would be nice to hear a human voice. It would be nice.

    He let himself collapse onto his well-worn sofa and sink into unconsciousness.


    The jangling of the telephone woke him, slowly, reaching into his consciousness and pulling him from the deep well of fatigue. He sat up, elbow scraping on the rough fibres of the couch, tie tangled around his neck. He’d never bothered to take it off. The telephone rang again: insistent, shrill, angry. He got to his feet, feeling vaguely more alive, and fumbled along the wall for the phone.

    “Hello?”

    Static buzzed in his ear.

    “Hello?”

    “Ian—” He barely recognised Tuesday’s voice. It sounded crumpled, somehow; grasping through a tunnel, muddled with distance and stretched to some phantom breaking point.

    “Tuesday? Are you all right? What’s going on?”

    Silence again. He fancied he heard her gasping for breath, or maybe sobbing. Something thundered within him as wild thoughts hurtled themselves round and round in his mind.

    “Tuesday!”

    He heard her struggle for words, choking over the sounds coming out of her throat. Finally, they tumbled into words, barely, like some strange macabre hiccup. “Neil,” said the ghost of Tuesday’s voice. “They killed him. They killed Neil. They killed him, Ian.” And she fought for breath across the phone line once again.

    Ian stood there with the phone pressed to his ear, and thought he could feel his stomach dropping down, plummeting through the floor and taking his emotions with it. The kitchen enveloped him, in all its drab greyness, and the clock ticked its painstaking seconds.

    As the world slowly began to return, all he could think was that he might be about to be sick. But his mouth worked out the words “Stay there; I’m coming” without his ordering it to do so, and he hung up the phone and stood in the kitchen and listened to the clock and the emptiness.

    He found his way down the streets to Tuesday’s flat, and pushed the door open. Things sounded so curiously silent in the wake of...this. It wasn’t real quite yet. It wasn’t anything.

    He didn’t dare to call her name; he didn’t dare to speak, for fear that words would disrupt the silence that he thought might be holding the world together.

    He found her in her kitchen with the phone still cradled in her hands, the cord looping itself around her wrist. Beneath her patched jeans, one foot was sockless, and he noted it with a sort of tenderness that surprised him through his fog. And he said nothing, only stood in the doorway until she looked up with the blank eyes of a bird flying into glass.

    She said, “Damn!”, suddenly and viciously, and then she collapsed in on herself with her arms crushed vertically along her chest, the phone crashing to the floor in a tangle of plastic and cord and wires. She was sobbing, in that strange, gulping, horrified way he’d heard over the phone, this way that was so thoroughly unlike the Tuesday he thought he knew, and quite unexpectedly she grabbed a plate from the counter beside her and dashed it on the floor.

    They both stared at the pieces.

    Ian crossed the room, his body once again operating without the benefit of his mind, and he put his arms around her, tentatively at first, but the curious warmth of another human being against his skin sent all of the colour rushing back into his head and he realised that he was sobbing, too. He thought he was the comforter, but he was clinging to her as much as she clung to him.

    He thought he might have been whispering “I’m sorry, I’m sorry, I’m sorry” into her vivid hair, but what he was sorry for, why the world was spinning so blackly on the edge of everything, he didn’t know.

Sunday, 15 January 2006

  • I'm currently working on an addendum to Funeral Black, but this came up out of the blue--no pun intended (I think)--and the addendum, though very clear in my head, is taking its own sweet time getting itself written. I was thinking about cliches today, and Spider-Man, and Harry Potter, and countless other books and films that I love, but that still fall prey to such things, and suddenly Tuesday popped into my head and said incredulously, "Are you giving me the hero speech?" I couldn't help but run with it. The ending's a bit weak, I think, but it's just a sketch, and a vague one, as usual, so I don't feel like worrying about it too much. *devilish laughter* I do love slaying cliches mercilessly.

    He said, very sincerely, “Tuesday, you know I love you, but—we can’t—I mean, if someone came after me—if someone wanted to—you know you could get hurt. Or worse. And I couldn’t deal with—it would be my fault, really, and I couldn’t put you in danger—”

    “Are you giving me the hero speech?”

    He stopped his ineloquent stammerings short. “What?”

    She didn’t look distraught, or angry, like he thought she would; her head was cocked to one side and hair was tumbling distractingly into her eyes. “Oh, come off it. I watch movies and read books too, you know; I know what you’re trying to do. You’re telling me that you never want to see me again, even though you really don’t mean it, because you’re scared to death I’m going to get captured by some git of a villain by being around you. And if telling me nicely doesn’t work, and you really get desperate, you’ll attempt to find a way to make me so upset with you that I’ll break the relationship off myself. Then you will continue your brave and lonely life and mourn me for the rest of it, but tell yourself that you did the noble thing, and wherever I am, at least I’m alive and well.”

    “Well, that’s—er, actually the gist of it—but it’s not—I’m not—this is serious, Tuesday!” He felt thoroughly befuddled. Out of all the painful scenarios he’d come up with in his head to prepare him for the moment, he’d never thought of this one. But when had Tuesday ever been predictable?

    “Stop speaking in sentence fragments; it’s very annoying. And may I remind you that I am in the exact line of work that you are and am already quite connected to you? I highly doubt doing the noble thing is going to make me any safer. People are safer in groups, anyway. It would make just as much sense for me to give you the hero speech, but I doubt you’d take it well.” She cleared her throat and spoke very solemnly. “Ian, I love you more than life itself, but recent events have made me come to realise that us being together is only going to end badly, so I’m leaving you for your own good.”

    “Oh stop it.” He refused to admit that he was even the slightest bit amused.

    He had, after all, read those books.

    “I’m not good at being safe, anyway. I need you about to make me—sensible.”

    He sighed, and looked at her pleadingly. “It took a long time to steel myself up to say this, you know. And I mean it. I do. I’m worried about you.”

    “Don’t be. Please. And if you’ve read the books, which I hope you have, English teacher, you’re probably aware that after you nobly cast me away, I’ll just end up tagging after you anyway. And, in the process, save the world and all that. I’m not some damsel in distress, Ian, and I’d appreciate it if you didn’t treat me that way.”

    “I have a legitimate concern.”

    “So you’re going to leave me behind and run off to save the world; is that it? I can save the world too, you know. I thought we were in this together.”

    “Tuesday—”

    “Blimey, stop with the hero complex; it doesn’t make you look good. Listen. If I watch your back and you watch mine—can you just please—” She brushed the hair out of her eyes irritably. “Your sentence fragments have rubbed off on me. What if we agree to stop worrying unnecessarily about each other, and not to tell each other to go away for our own good? If you’ve read the books, and I know you have, it never ends up any kind of good anyway.”

    “People don’t die in comic books, Tuesday. People die here. This is real.”

    “And I have real feelings, and real people don’t like being told ‘go away, please’, even if it’s done nicely. Please, Ian, drop it before this turns into a row; neither of us are going to like that. Can you manage that?”

    He was still worried, still concerned, still possessed with a mad desire to shield her from every harm—but he was beginning to sound like a bad melodrama. He supposed he couldn’t, after all, and if he tried, she’d probably only go looking for harm to prove that she could handle it, because that was her way. After all that they’d been through, Tuesday wasn’t likely to stay safe unless she got locked up somewhere. But he wasn’t ready to trust in such things—not yet. Still, it made things easier, in a way, and harder, and he was so unused to being so emotionally tangled. Still, he thought, this is the sort of thing you get into when you try to save the world.

    “Can we think about it?” he said finally; he knew she wouldn’t deny him that.

    “Have some tea, Ian. Think all you like.” She gave him an impish grin. “I’m not going anywhere, you know.”

Wednesday, 11 January 2006

  • No idea at all where this came from, or whose funeral it is--apparently, says my subconsciousness, it's somewhat important. Someone at least marginally close to Ian and Tuesday dies, although they don't even have any close friends written in yet. I kept having this mental image of Tuesday in black, and how incredibly odd and uncharacteristic that was--and so this came out.

    He'd had a long time to think about things, and now he felt that the only thing he really wanted to do was find a small dark space and shut himself away for a while. With a pile of books and a flashlight, probably, but he didn't like humour just then, so he didn't allow the thought for more than a few moments.

    After a while, he grew tired of toying with the arbitrary items in his pockets, and examined people instead, in a vague sort of way, noting the veritable sea of black. He realised with a sudden vehemence that he hated funerals; they were maudlin, yet disturbingly revealing. No one, he thought, can pretend much at a funeral. And those who are invincible don't particularly enjoy being reminded poignantly of their very real mortality. He began to shred a piece of paper in his coat pocket methodically with his fingers.

    And then a burst of blue poked itself above the crowd, and Ian smiled in spite of himself. So she'd made it after all. He supposed that he wasn't particularly surprised. But as she resolved herself amongst the throng of black-clad mourners, his smile faded. She looked incongruous, as usual, and the shock of blue hair was wrong against her black mourning gown. He didn't know she'd even owned anything this dark; he suspected it had been purchased specially for the occasion. It was still Tuesday--the gown had flowing sleeves and curious swathes of black lace--but it wasn't, somehow. She was paler than usual; he could see that even from his vantage, and quite abruptly, he wanted to take her into his arms and tell her that it was going to be okay, eventually, somehow, even if he didn't really believe it himself. He didn't go about taking people into his arms on strange whims, so he squelched the thought and tried to think of something a bit more sensible, but all that came to mind were books and pudding.

    He thought that it wouldn't be so bad to have a few cups of pudding just now.

Friday, 06 January 2006

  • Visit us on LiveJournal! Every single varation of tuesday morning was taken, so I had to go with tuesday_skyline. However, usericons are making me happy.
     
    Before the events of the following vignette, Ian did something which upset Tuesday; I'm not certain what it was, but my writing subconsciousness is very adamant on this and I have learned, over the years, to trust it. Most likely he yelled at her for following him around, having better control of her powers than he does (though I still have no idea what his are--Tuesday is telekinetic), or being a bossy little twit. I really don't know. Anyhow, this is the very first piece of actual writing that I've done connected with this story (and there was much rejoicing). A bit of background, as much as there is: Ian is a high school English teacher, late twenties, literature nut, and very discouraged with his job. Tuesday is a British indie folk rocker come to Boston with her band for the folk music scene (several years before the story begins, I think); she's twenty-three or twenty four and a bit eccentric. For some reason, she took to tagging after Ian when he discovered his Mystery Powers, which annoyed him a very great deal, particularly since he sees her as much younger than he is despite the fact that the age difference really isn't that much. She's also known about her powers--telekinesis, and she can control her own body weight to produce some semblance of flight most of the time--a lot longer than he has, and is already quite good at controlling them. I don't think her band knows about them, though I'm not entirely sure why. Ian refers to Tuesday's apartment as her "flat", despite the fact that he's American, because she does. Other apartments are just apartments. ^-^

    Flowers. Ian never bought flowers for women (except his mother, twice, on Mother’s Day), but the raging orange daisies put him in mind of Tuesday, somehow; at least, he thought, they might make her laugh. He considered purchasing a profoundly ugly carnation, dyed a sickly shade of blue, but there wasn’t much in his pocket, and he didn’t know how she would react to him barging in like this. So he bought the daisies, and walked out of the flower shop with the stems leaking wetness through their brown-paper covering and all over his arm. He walked the rest of the way to her flat.

    He found Number Seventeen and knocked hesitantly—he’d neglected to buzz the doorbell in the hall lest she was in a nasty mood and refused visitors. At least he’d be able to stop her from shutting the door in his face. He hoped. Or, if she was particularly vitriolic, she might hurl him across the room, but he doubted she’d want to draw that much attention. Not in the flat, anyway.

    He rapped again, less hesitantly. “I know you’re in there,” he said when no one answered (though he didn’t, really), and put his hand on the doorknob. It turned, and the door fell open. She must have been upset; she always locked her door. “Crazed fans,” she’d said, with her lopsided sardonic grin. “Always after my autograph, you know; or maybe they just want to see me smash my guitar over the coffee table.”

    The flat was in disarray, which wasn’t unusual. He saw bits of paper and several pairs of shoes as he stepped in, feeling as if someone was going to shout at him for trespassing any moment. “Tuesday,” he said loudly. “If you’re not in here, I’m going to feel really, really bad about walking into your house uninvited.”

    He heard a muffled exclamation, and the sound of something tumbling to the floor; he stepped over a guitar case and crossed into the living room. “Please don’t hurl any lamps at me,” he said apologetically, clutching his damp daisies, and Tuesday sat up on the couch.

    She looked bad. Her shock of blue hair was messier than usual, she had a thick quilt pulled nearly up to her chin, and she was surrounded, curiously, by empty pudding cups. “Oh, rot,” she said thickly, a pudding cup in one hand and a tissue in the other. “Why are you here?”

    “Are you all right?” he asked, and felt stupid before he’d even finished. Her eyes were red; her nose was redder. Unsurprisingly, there was a pile of books on the coffee table (next to the box of pudding cups, which he suspected was nearly empty), and one lying on the floor with its pages askew.

    She swallowed her pudding. “I’m sick,” she said, contorting her face in an expression of utmost despair. “A failure, and sick.” She blew her nose dramatically.

    “Oh, come out of it. I didn’t mean to—” He stopped and considered. “Well, actually, I did—but that’s not the point. The point is—actually, I don’t know what the point is, but I’m very sorry. About everything. Really. You just—you—well—”

    She sniffled. “No, I’m not crying,” she said immediately, quite testily. “I’m sick. I promise.”

    “I didn’t say you weren’t! Please, Tuesday, I know I’m not good at apologising—”

    You’re apologising? Oh, blimey.” She blew her nose again. “I was an annoying little twit, wasn’t I?”

    “No, of course not!” She looked at him dismally. “All right, maybe somewhat—”

    “I think we were both gits and we’ll leave it at that; what do you say?” Pudding went into her mouth. He watched her swallow.

    “Uh—I brought a peace offering, if that’s any good—” He held out the daisies. They were limper than he’d expected, but what could you buy with two dollars, anyway?

    She smiled weakly, leaned over her quilt and her pudding cups to take them, and nearly fell off the couch. “Come on, you don’t have to stand all the way across the room. I won’t—you know, bite. Hate the taste of blood.”

    “I was more worried about furniture flying into my chest, but thanks for the reassurance.” He wove a path through the clutter on the floor and dropped down beside the couch. “Ow!”

    “Book,” Tuesday said.

    “I can tell.” He removed his knee from the offending object and picked it up.

    “You bent the pages.”

    “I’m deeply sorry.” He brushed a smear of pudding off it. “Pride & Prejudice?”

    “I’m a closet Austen fan. Don’t tell anybody; the band thinks I read—I don’t know, crime novels or something. Not chick lit.”

    “Austen isn’t chick lit. I enjoyed Austen.”

    She grinned, a little more Tuesday-like this time. “You’re an English teacher; I’d hope so. Besides, you lot have a reputation for being a little—er—odd, don’t you?”

    “I’m surprised you’d see that as a detriment.”

    “I don’t. I’m glad you’re odd. It would be dismal if you were boring.”

    “Well, that’s a relief.”

    She sneezed into her tissue. “You can stop holding out those daisies now. Your arm must be getting sore.”

    He glanced at his arm, which was damp again. “Here.” She took them and sniffed them appraisingly.

    “Can’t smell a thing, but I’m sure they’re lovely.” She sneezed again. “You don’t want to catch this cold,” she warned, sniffling. “It’s really awful.”

    “I can tell.” He handed her Pride & Prejudice.

    “Thank you. It’s my comfort reading, you know. Books cheer me up when I’m sick.”

    “Just you?”

    English teacher,” she teased, and blew her nose.

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    • Name: Tuesday Aiken and
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    • State: Massachusetts
    • Metro: Boston
    • Member Since: 1/5/2006

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  • "And if you’ve read the books, which I hope you have, English teacher, you’re probably aware that after you nobly cast me away, I’ll just end up tagging after you anyway." vignettes. of Boston, superheroes, Jane Austen, folk music, literature, life, & death, among other assorted things.

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